Essen interview with Würfel Reviews - role of the developer, among other things

One of the things I enjoyed most at Essen this year was an in-depth interview I did with Würfel Reviews about the role of the developer, as well as a bunch of other topics. It's about 45 minutes long, but I watched it and I am pretty sure I didn't sound too foolish! :)

Actually, I think it's pretty good, with a lot of good information in there. And I got to tell several good stories :) 

Let me know what you think in the comments below!

Deities & Demigods playtests at Essen 2016!

I managed to get not 1, not 2, but 3 whole playtests of D&D in at Essen 2016! Well, 2.8 at least...

First off, I went to Motel One on Thursday night and joined the UK Playtest meetup. I mainly went there to connect with Matthew and maybe play D&D with him, but he was late, and the person herding cats got 3 players sent my way to play! I sat out to facilitate, since the playtesting round was only  hour long, and we had to do rules... we made it through 4 (out of 5) cycles and got some commentary afterward. 2 of the players seemed to grok the mechanics, and went about their business. One player had a really rough time grokking the rules, got nothing done, and predictably complained at the end that there wasn't enough time to do anything.

We used the recent Hera's Spite rule that when Hera arrives, players either sacrifice the demanded item or else take a Spite token. If they sacrifice twice, they can discard a spite token. Like previous versions of Hera, I think this just served to slow the players' progress without any real benefit.

Matthew arrived near the end of that game, and we got to talking, and ended up playing a 2p game of D&D, trying the same Hera rule. After that we both agreed that maybe Hera just isn't necessary at all. We also discussed changing movement to simply be 1-troop-1-hex rather than the whole Army thing (moving multiple troops at once), to make the rule easier to understand. We also talked a little bit about "terrain" meaning both some stuff to make movement more costly, but also some beneficial things such as a gold mone, and whenever you step on it, maybe you get 1 gold.

A couple of days later Matthew and I had a scheduled meeting to play D&D, so we played another game, this time with Andy as well, who had played only once before. This version is much improved from the one Andy played last year at BGGcon, but beyond that he didn't have much in the way of comment.

We played without Hera this time, and just counted cycles - neither of us missed her. So yet again, Hera has been cut from the game! Maybe she can come back as another expansion module, where you simply reckon her scoring condition at the end of each cycle.

In discussion afterwards I think we may have agreed that terrain may not be necessary after all. We did change to the simpler Ares movement, and added 2 to each level of Ares so as not to remove overall movement from the game, and frankly the added movement wasn't necessary. Next time I'll try without adding any movement, and if that seems too tight maybe I'll try adding just 1 movement instead. 2 was way too much.

We talked a little about theme, as Andy pointed out that Oracle of Delphi would share a description almost entirely, and especially where it comes to god tracks where you increment them until you eventually use their ability and reset them. of course, the two games are nothing alike, but it might be nice to avoid that conflation. Andy and Matthew suggested Norse gods, or Egyptian ones. I don't know if I have the impetus to make that change though, as I like the Greek theme, and by the time this comes out, people will likely have moved on from Oracle of Delphi anyway (or even better, this might re-invigorate sales of that title) :)

I would still like to get some player powers worked in, since players ted to expect those nowadays. I think I have a few already, but I'd like at last 4 different ones, and possibly more like 6 or 8.

As a minor note (and I say this mostly to remind myself), I think I'll add like 3 more troops per player to the game. Also, instead of placing a disc when you do a quest, maybe you should just lie your troop down, thereby losing it for the rest of the game. I think that could be good, and now that the number of discs remaining isn't a game end timer, there's no need for them to mark both quests and buildings.

I feel like this one is in the home stretch, so to speak!

Essen 2016!

As I sit here, in a SUBWAY Cafe in Atlanta International airport, entering the 2nd hour of 6 hour layover waiting to board a plane to Dusseldorf, I am trying to remember whether this is the 4th or the 5th time I've been to Essen.

A quick perusal of my blog indicates that the first trip was in 2012 - Michael and I went on what I described as a 'scouting mission', and at the time I had envisioned potentially returning to the big show to man a booth, much like we do at GenCon.

If memory serves, we skipped 2013, but returned to Essen in 2014, this time with Mischa. We did not have our own booth, and in retrospect I am pretty happy with that decision. Instead we scheduled meetings with various european designers, publishers, and distributors about partnerships and the like.

In 2015, Michael decided he didn't need to be at Essen himself, and that he much preferred Tokyo. So while he has now attended Tokyo Game Market a few times (making great friends and partners, and picking up great titles such as Flip City, Yokohama, and Ars Alchimia, to name just a few), Mischa, Daniel, Andy, and took on Essen by ourselves. And a bit more organized this time. Daniel and Mischa filled their schedules with business meetings with partners (for both incoming and outgoing licenses), while Andy and I spent our time taking pitches from designers and checking out new releases for potential licensing.

This year will be pretty much the same I think. Andy and I will be taking pitches and checking out new releases (that reminds me, I'm supposed to be identifying potential titles to pick up!), while Daniel and Mischa again maintain existing foreign partnerships and forge new ones.

Unfortunately, I haven't had the bandwidth to really get excited about any new offerings... the only one I can think of offhand that I'd like to try, The Great Western Trail by Alexander Phister, is already picked up for US market by Stronghold Games. Lucky for me, W. Eric Martin puts together a terrific list of all the new releases each year, and Richard Ham (a celebrity in the game review space who has similar tastes to mine) maintains a list of his games of interest, and recently posted a 3 hour podcast discussing the games and expansions of interest to him. I've already listened to most of that podcast, but in a minute I'll be diving into both of those resources and looking for potential TMG pickups, as well as stuff I might like to check out for myself.

I'm curious to see how Essen goes this year, and whether I am going to think it's worth it for me to go, or if I'll do what Mike did and start opting out of the trip in future years. Last year we only signed 1 title from those pitches (though Guilds of London has been a successful title thus far), though it's refreshing to see designs from European designers - they seem different from the pitches we see at GenCon.

Side note: A further inspection of those blog posts have reminded me that I did not think to bring my Camelback this year. Drat. Fortunately I seem to recall water being more available last year than it had been in the past.

Deities & Demigods update

I haven't been posting as often lately, nor have I gotten in as many playtests of Deities & Demigods as I'd like (though apparently I've been testing more frequently than Matthew... I haven't heard from him in a couple of versions now!). However, I HAVE gotten some plays in, and I've learned a thing or two about the recent tweaks and proposed changes. Here's what's come up in the last few plays, using the last blog post as a point of reference:

1. Building reward icons in cities
I have been playing with the most recent versionI described, and I think I like it. Each city has a particular reward, and when you build you get 3/2/1/1 of it. At the start of the game (in reverse turn order) you select a starting city and place your marker on the LOWEST reward space and collect that reward. However, when building in a city where you already have a marker, you stack atop your other marker and collect no additional icons, whereas if you Ares over to another city first, then building allows you to collect the highest remaining reward icon.

For now I'm keeping this version of the rule, because it seems to be working well. It also means the buildings have no icons printed on them, just a big effect or endgame scoring bonus. The artifacts have a smaller effect plus an icon. The monuments still increase your minimum devotion, they also have an icon PLUS a favor token PLUS potentially another icon from the city. I think this makes monuments compare favorably to B+A.

2. Cutting virtual Zeus
I currently think that just having 1 Zeus in the deck is the way to go, especially with the initiative bumps available on artifacts and in cities.

3. Simplifying to a simple hex board
This has been working well. I would still like to see some semblance of terrain (even just water vs land) in the end, but maybe that's just unnecessary complication :/

4. Favor of the Deities
I did some more tweaking of the deity scoring, which makes them worth a bit more (at least potentially more)...
Zeus: 2vp per unique deity in your display (rewarding diversity)
Hermes: 2vp per devotion track at level 4, 1vp per devotion track at level 2/3 (indirectly rewarding showing devotion to deities)
Ares: 1vp per minimum devotion increase (indirectly rewards doing quests)
Hephaestus: 1vp per city with your building marker (rewarding building)

As a side note, I'm beginning to think that level 1 Hephaestus should give 1 gold per building marker, not per city with your building marker... so it doesn't require Ares to do something. The Hephaestus favor bonus could be harder to cash in on, and therefore be "per city with your marker".

5. Adding a cost for increasing minimum devotion
This turned out to be a bad idea, I didn't like it and I removed it after 2 tries.

It's possible that nothing needs to be done about this beyond making the min bump on the initiative track harder to get.

6. Game duration and Hera
I think forcing a 5-round game is the way to go, and adding Hera made it feel less arbitrary. The version I tried was this:
Shuffle 4 Hera cards into a face up stack. At the end of each cycle, add the top Hera card to the deck - if there isn't one, then the game is over. When Hera arrives, she makes a demand (each Hera card has a different demand).

The 1st version I tried was that Hera was simply an opportunity to earn extra points by satisfying her demand. Choosing not to only cost you the opportunity to score points. This turned out to be fairly boring though because often times players would ignore the demand and nobody took advantage of the opportunity. Maybe that could be addressed by tweaking the values of the rewards, but I tried something else that I thought might be more interesting...

The 2nd version I tried was that you MUST meet Hera's demand, and if you do then you earn a favor token. This was a bit better because players actually had to care hat Hera's demands were, and she actually had an impact on the game. However, it amounted to just handing out a bunch of points to all players most of the time, and also we had to lose random stuff whenever Hera arrived. Sure, we theoretically knew it was coming, but it could have worked better... this seemed a little harsh.

What I would like to try next time is this... when Hera arrives, she makes her demand. If you refuse to (or cannot) give her what she demands, then you get a Spite token. Spite tokens come with a scoring penalty at the end of the game. If you do meet Hera's demand, then you avoid the spite token. If you DOUBLE the demand though, you get to DISCARD a spite token (or if you have none, collect a favor token).

I hope this will make people WANT to pay the demands sometimes, and if you specialize in one type of thing, then maybe you'll overpay those demands to make up for failings elsewhere.

I was thinking the penalty would be triangular negative scoring, but maybe a majority thing would be better.

I still might like to see city control matter more during the game, and I worry that going heavy Zeus and dominating the initiative track might be too strong. But other than that I think the game is in good shape!

Eminent Domain: Still good!

Last weekend was RinCon, and I'll probably write a separate blog post about that. This post is about one thing I did at RinCon...

Old college friends Becky and Chris ran an Eminent Domain tournament, and they billed it as a Play With The Creator event. The idea was that ahead of the tournament I would teach the game, but I had a scheduling conflict, so my friend John taught it instead. I arrived in time to play, and so as advertised, players got to play Eminent Domain with the creator of the game!

There were 10 players other than me, and most of them had never played EmDo before. John is a shark, besides me he's probably played more EmDo than anyone in the world! And he's very good - he said that when he and I play, results are probably 60% in my favor. I think another player had played once a long time ago, the rest were brand new.

With 11 players, we had two 4p games and a 3p game, and the winner of each went on to play in the finals against me. Also, if I won the 1st game, then the 2nd place player from my table would advance.

It has been a REALLY long time since I've play Eminent Domain, and it's been EVEN LONGER since I played the base game without Oblivion expansion stuff. The first game was really interesting, as one of the new players seemed to grasp not only the rules, but perhaps a more advanced strategy... She took a Produce role in the 2nd or 3rd turn, right after colonizing her start planet - a move I usually warn against when teaching the game, because it puts a Produce/Trade card into your deck, which are mostly useless early in the game. While this may be considered a mistake, it's not the end of the world, and this player got a few more planets into play and called Produce and Trade rolls left and right, quickly getting to a P-T cycle of 3 or even 4 resources! Seeing this, and drawing some planets with Produce symbols on them, I tried to pivot into a P/T engine as well, though for some reason it took me a little while to get there so I wasn't able to capitalize on it too much. In my penultimate turn I did a produce role, fully expecting that opponent to fill up her resource slots, but lucky for me she only had 1 of her many P/T cards in hand! In the end I beat her by a single point, a margin which may have easily been reversed with just slightly more efficient play in the early game, or even just a better draw on that previous turn!

The finals ended up being that opponent and myself, John of course, and a guy named Taylor that I used to know 20 years ago from when I played Magic. In this game I started with an Advanced planet, and I happened to get more Advanced planets off the top of the deck, 2 of which had Research symbols (I;m sure John was jealous, those are his favorite). I went quickly and heavily into Research and obtained the level 3 adaptability tech with several rounds left to play. Online some players complain that this tech is too good, because if you get it early then you dominate the game. Well, in this case I didn't feel like it really helped me very much, apparently I didn't have a high concentration of standard Research cards. I only used it about twice. but the fact that it was worth 5 points was a big deal, and I was able to get a big Specialized trade off on the last turn for another 4 extra points, and I ended up winning by a wide margin. Of course John came second, then Tyler 3rd and the other opponent (I'm sorry, I forgot her name!) was last.

TMG had donated a couple copies of EmDo and each expansion as prize support, and I of course passed down any prizes. John already has EmDo and Escalation, so he only took Exotica. Tayler already had the base game as well, so he took the other Exotica and an Escalation. So even in fourth place, the other opponent walked away (very happy I might add) with copies of EmDo and Escalation in hand!

Everyone seemed to really enjoy the game, and I had a great time playing EmDo again. Man, that game holds up. I really am proud of it, and I feel like I should promote it more.

So if you still haven't tried it, play Eminent Domain!

General update to The List

About a year ago I revisited The List to take stock of the status of my game projects. I thought it might be nice to update that list a little bit, as some of the games on it have made some progress...

Published Games:
- Terra Prime (BGG)
- Eminent Domain (BGG)
- Eminent Domain: Escalation (BGG) (expansion)
- Eminent Domain: Exotica (BGG) (expansion)
- Eminent Domain: Microcosm (BGG)
- Isle of Trains (BGG)
- Crusaders: Thy Will Be Done (BGG)
- Isle of Trains: All Aboard (expansion)

Finished But Unpublished Games:
- Exhibit (BGG link)
- Eminent Domain: the Dice Game
- Dice Works (BGG link)
- Wizard's Tower (BGG link)
- Now Boarding
- Suburban Sprawl

Current Active Designs:
- Deities and Demigods
- Eminent Domain: Oblivion (expansion)
- The Pony Express
- Odysseus: Winds of Fate (BGG)
- Alter Ego (BGG link)

Old Standbys - games which have been around, 1/2 done and untouched, for years:
- 8/7 Central
- Hot & Fresh
- Dynasty
- Kilauea
- Reading Railroad
- All For One (BGG)

Old Ideas that Haven't gone Anywhere (Yet) - some of these have been getting stale as well:
- Rondel Role Selection
- Investigative/Tabloid Journalism
- Red Colony
- Clash of the Kingpins
- Time = Money
- Dating Game
- Ticket Please
- Moctezuma's Revenge
- Scourge of the High Seas

Let's take a closer look at some of these:
Published games:
- Crusaders: Thy Will Be Done (BGG)
I'm excited to say that Crusaders is moving forward at TMG! Adam McIver, now a full time TMG employee, has been spending some of his time working on the art and graphic design of the game (I shared the box cover recently), and it looks fantastic!
- Isle of Trains: All Aboard (expansion)
Dan Keltner and I finished our expansion to Isle of Trains for Dice Hate Me/Greater Than Games almost a year ago, and we've recently been told that it will finally be on Kickstarter in the next week or so! The final title of the expansion is Isle of Trains: All Aboard.
- Terra Prime (BGG)
In the near future (perhaps for TMG's 10th anniversary) we will be bringing back Terra Prime as a 2nd edition, with updated rules, expansion included, and set in the Eminent Domain universe. It'll be called Eminent Domain: Origins.

Finished But Unpublished Games:
- Exhibit (BGG link)
I'm disappointed in the current status of Exhibit. A European publisher was very interested, but a difference of opinion between me an another designer on "IP rights" sort of nixed that deal. I checked with an IP lawyer to ensure that my understanding was correct, which it was, but the whole thing has left a sour taste in my mouth.
- Now Boarding
I worked on this with Tim Fowers (Wok Star, Paperback, Burgle Bros, and most recently Fugitive). Since we made this game he has taken it in a bit of a different direction, and I think he might be making that version of Now Boarding his next project.
- Suburban Sprawl
Based on another DHMG/GTG contest - this time a dexterity game (which uses 57 cards, plus score sheets)- I designed Suburban Sprawl with Matthew Dunstan. In Suburban Sprawl you toss cards into play to build Residential, Commercial, Industrial, and Civic buildings. I was going for a light, quick game with a sort of SimCity feel that's easy to learn and play, and at that I think we succeeded. Unfortunately, we didn't win the contest :(

Current Active Designs:
- Deities and Demigods
Another attempt at Deck Learning, Deities and Demigods is like a role selection game, but the game calls the roles, and in random order. Players will have some control over which roles are in the deck, and can upgrade their efficiency at each role. The effects of the roles will allow players to move armies around a map in an effort to complete quests and control cities. Matthew Dunstan has been working with me on this one, and it has taken shape quite well, dare I say it's nearing completion. I still would like to add some more interesting board elements (terrain, or at least water), and I have yet to try the "expansion module" featuring Hades, a deity that was cut from the base game.
- Odysseus: Winds of Fate (BGG)
I keep circling and iterating on this one. I need to implement the mot recent change ideas and try it again.
- Eminent Domain: Oblivion (expansion)
3rd expansion to Eminent Domain. I worked out how this would play several years ago, and once Exotica was in production I finally started prototyping and trying it. I've gone through an iteration or two so far, and I think I'm close to something I could call the final phases of development, but I've been concentrating on other games lately so this one hasn't been played in a while.
- Alter Ego (BGG link)
Mike's always been a fan of this one. Alter Ego was finally shaping up, but it hasn't hit the table in a while now. I think with a little TMG Utah input and some nice art, this could potentially be ready for a GenCon 2017 release, but looking at the release schedule, that seems really ambitious (I don't think I can count on TMG development help on this one... too much going on over there).

Recent Designs That Are Not On The Front Burner:
- Rondel Role Selection
Another variation on role selection, this one got off to an OK start, but hasn't gotten any attention in a while.

Old Standbys:
- Hot & Fresh
I'm a little disappointed I never finished this one, but the most recent changes (several years ago now) seemed like a big step in the right direction. I'm just not sure how excited I am about a press your luck pickup/deliver game anymore.
- Dynasty
This is my shelved design that I'm probably most interested in, or at least the one I think might have the most promise as a "mediocre euro."
- Reading Railroad
I always think that Reading Railroad would be a fun word-building / connection game, but the truth is that people who like word games probably don't want to play a connection game, and people who like connection games probably don't want to play a word game. Still, I'd like to finish this one day.
- All For One (BGG)
All For One might be my single biggest disappointment. It is the game that really got me into the design hobby, and I thought it was good - really good - but it never got any publisher interest. It's suffered some setbacks, and now, almost 10 years later, I feel like it might be a bit old fashioned and in need of an overhaul, but I don't have the impetus to overhaul it.

Old Ideas that Haven't gone Anywhere (Yet):
- Investigative/Tabloid Journalism
I think a game where you put together parts of stories and embellish them to make them work would be a cute and fun game, but the theme may not really be very desirable, so I never revisited this idea, even though I think I had the main mechanism completely thought out.
- Ticket Please
A game about controlling gates in airports and moving people to their destinations, in the same scope as a Ticket to Ride seems like it could be really successful, I'm not sure why I haven't revisited this yet.
- Moctezuma's Revenge
Maybe it's because I don't really like press your luck games or deduction games much, but I never got back around to Moctezuma's Revenge, even though it sounds like a system that could make for a solid game.

No fun blog post title, just a Board Games Insider interview, and some fancy art for Crusaders.

 A couple of weeks ago I recorded a quick interview with Ignacy Trzewik for Board Games Insider's new special interview episode series. That interview went live yesterday, so check it out and let me know what you think. (Is there an easy way to embed audio from someone else's web page here? Or is that like stealing or something?)

At the end of that interview I mentioned that I was giddy for another Seth Jaffee title (Crusaders) to be moving forward. Adam McIver has started on the art for it, and has been knocking it out of the park (as per usual).

 

I'll just leave this right here...

Yes, I used the word "giddy" (Michelle made fun of me for that), and it's true. I didn't realize how excited I would be to have another designer credit under my belt. I figured with Terra Prime (watch for the re-release as Eminent Domain Origins, coming soon!), Eminent Domain, Escalation, Exotica, Microcosm, and Isle of Trains (watch for Isle of Trains: All Aboard, coming to Kickstarter soon!), as well as all my developer credits (don't worry, I won't inundate you with those here), that the novelty would have worn off a bit.

But no. Maybe because it's been a while, or maybe because most of my design credits are for the same line of games... for whatever reason, I'm finding a feeling of excitement and yes, giddiness, at the thought of my next game coming out.

And it might help that I really like Crusaders. I think it's good. "Good" like I enjoy playing it over and over, but also "good" like I think it has a good chance of going over really well with players, leading to commercial success, and all the riches and popularity that accompanies being a "big name" game designer :)

Yeah, right. Someone on BGG the other day said they were buying Exotica and contributing toward my Lamborghini... I was like "Lamborghini? I am just hoping I can pay my bills this month!" :)

But wouldn't it be cool? Every time I have a game come out, there's a small part of me that thinks it would be so cool if that game somehow blew up, and really did lead to fame and fortune! Realistically though, the best I can hope for is that players do like the game, and that it sells enough to warrant reprints and becomes an evergreen title for TMG. Note that most games DON'T do that, many games don't get a reprint, and those that do may not get a 2nd reprint. If Crusaders warrants a reprint and an expansion, I'll count that as a success!

Revisiting a classic post: Balancing Game Elements

I've been working on Harvest lately, an upcoming TMG title in the Harbour universe (side note: watch for Harbour on TableTop with Wil Wheaton, season 4!).

Here's the description of Harvest from BGG:

Mind the fields of Gullsbottom! Plant and fertilize your seeds, tend your crops, and utilize the various buildings at your disposal. You'll need to work smarter, not harder, as harvest season is coming to an end! Who will have the best harvest this year? Will it be you?
Each round in Harvest, you first draft turn order (and the benefits that come with it), then send your two workers into town and into the fields. Plant seeds, tend fields, and harvest crops to make room to plant some more! Utilize buildings and magical elixir to amass a bigger and better harvest than your neighbors at the end of five rounds of play.

Harvest is a worker placement game where you first reveal worker cards (spaces that will only be available this round), then draft turn order (the later you go in turn order, the bigger the bonus you receive), then place your workers and take the associated actions. In developing this game I've been working with the designer to figure out the appropriate power level of the actions in the game -- both the standard spaces on the town board, as well as the value of the worker cards, and the buildings you can build. As that's mostly accomplished, lately we've been working on the power level and balance of various characters you can play in the game.

At several points during this process I've been reminded of an article I wrote back in January 2014 called Balancing Game Elements... re-reading it now I think that might be the best game design article I've ever written. It continues to hold true today, as I have been using the same process to balance the elements of Harvest.

You see, a major benefit of working this way, finding an average value for an element (say, the buildings in Harvest) which incorporates all the costs and benefits of that element including opportunity costs, is that it leaves you with only one variable when designing things that interact with that element. This makes it relatively easy to determine things like the value of an action which gives you that element.

By way of example

Without knowing anything about the game it may be difficult to give you a concrete example, but I'll try:

In Harvest, there's a town board that has 3 main areas that offer a variety of different effects or resources. Each of these areas has a "Choose 2" space (letting you get any 2 of the things on offer in that area) which is limited to 1 worker, and a "Choose 1" space (letting you get just 1 thing) which is unlimited. In addition, each round you'll turn up a number of worker cards which have more action spaces on them. The value each of these spaces confers is defined as follows:

Choose 1 space: 1-2 units
Choose 2 space: 2-3 units
Worker card space: 3-5 units

So ideally you'd prefer to take a worker card space first, a Choose 2 space next, and a Choose 1 space only if you had no other option, just based on the value of stuff you would get.

However, the game is not quite that straightforward. A space that's technically worth 5 value might only be worth 3 to you because you can't use all of it's benefits at the moment. So there are plenty of times that a Choose 2 space is just as good if not better for you than a worker card space. Very seldom do I want a player to choose a Choose 1 (default, fallback) space over a worker card space though.

Note that these values are sort of average values, and they may depend on your situation and whether or not you can make full use of the resources you get from these actions.

That said, there are buildings in the game which can confer abilities, one-shot resources, or an end game scoring bonus. There is a wide variety of buildings, with 6 face up to choose from at a time, each supporting various strategies. It's difficult to evaluate exactly how much each of these buildings is worth, which is where my Balancing Game Elements post comes in handy. If you read that post, you know that step 2 in the process involves choosing a desired power level for the elements and designing the elements to be worth about that much. I'm currently choosing to assign a value the buildings in Harvest at "4". This means that I'm targeting an average value of 4, some buildings will be worth a little more or a little less, depending on whether you can utilize them to full effect or not.

One of the things you can get from the town board, an action that's always available, is building a building. So, if the buildings are worth 4, and the default "choose 1" space is supposed to be worth 1-2, and you can use that default space to build a building... then it follows that there should be a cost of 2 to use the build action on the town board. Also, if the worker card spaces are supposed to be worth 3-5, then perhaps one that just allows you to build a building for no cost is appropriate. Simple math, which can be applied because I wrapped all the variables into the valuation of the buildings.

Now, I may be incorrect in that evaluation. If I've over- or under-valued the buildings then that should show up in playtesting a players recognize and either ignore or capitalize on the imbalance. If that turns out to be the case, then I can easily re-evaluate them and adjust the actions that allow you to build accordingly. Let's say I significantly overestimated the value of buildings, and that they should really be worth only 2. In that case the standard build action on the town board should not cost anything, and a worker card that allows you to build should also come with 1-3 value worth of more stuff. Similarly, if I'd under-valued buildings and they are really worth an average of 6, then the standard build action should cost more, and the worker cards that allow you to build might also need some kind of cost.

An alternative to tweaking the actions is to make an editing pass at the buildings, either powering them up or down until they are more closely averaging the targeted value of 4, which would then justify the cost of the town board and the worker cards.

Hopefully that makes sense, and indicates the usefulness of incorporating all of the costs and benefits (including opportunity costs) into the value of the game element itself (in this case the buildings), rather than trying to think about things separately.

Deities & Demigods update

last time I listed some tweaks I'd made but hadn't necessarily tried yet. I'll revisit those here, and then explain the further tweaks I've made since the last post.

Let me begin by saying that I really feel like the game is working well and feeling solid. I'm happy with the progress thus far, and thinking back to the original versions, it definitely feels like a much improved game.

Here are the comments I made last time (in blue italics) as well as my comments on each:

* Buildings and artifacts no longer have set collection scoring.
I kinda liked the idea of set collection scoring on buildings and artifacts, like the Exploration cards have in Goa for example. However, it may have been a little out of control (or not), and more importantly, it was annoying to have to count up so many things at the end of the game. The more interesting rewards were the ones that gave you gold, favor tokens, devotion bumps, or advances on the Zeus track. So I just replaced all the set collection icons with those, and added another: 2 Troop movement.

This was a good idea, and last night I took it one step further... with the new icon-on-city-spaces thing (see below), I decided that buildings didn't need to have icons on them. They're strong action or end game scoring bonus is good enough, and you get the icon from the city (so long as you haven't built there before).

Also, removing the icon means I can revisit the balance of Building+Artifact vs Monument for level 4 Hephaestus, which was weighted too strongly in favor o B+A over M.

One player (the immutable T.C. Petty III) suggested that Artifacts were not attractive enough, and removing icons from buildings might help that situation as well.

* Building costs vs incentive to spread out and build in different cities.
Originally, each player was allowed only 1 building per city, so if you wanted to build another building, you had to move to another city before you could do that. There was some bonus for being the first player to build in each city, to give you some incentive to race to build in the cities before anyone else did.

More recently I've tried instead allowing multiple builds in a single city, with the rule being that you pay 1 gold per building already in the city... so if you stay put and build, it'll cost you more and more. Then the incentive to spread out is cheaper building. That was OK, but I wasn't sure I liked it.

My new tweak is this... each city now has 6 spaces for buildings. 5 of them each have one of the standard icons, the ones you find on the building and artifact cards:
- Advance x2 on the Zeus track
- 2 Troop movement
- 1 Gold
- 1 Favor token
- 1 Devotion bump

The 6th space has a better version of one of those:
- 3 Zeus track
- 3 Troop movement
- 2 Gold
- 2 Favor token
- 2 Devotion bump

The idea is that the FIRST time you build a building in a city, you may choose any remaining space to build in and collect the bonus. Any further building you build in that city is placed on top of your first building marker, and earns you no additional bonus. I had intended to also keep the cost of 1 gold for each building already built, but maybe with this tweak that's unnecessary... instead of paying more, you're giving up opportunity cost of getting those bonuses.

There's incentive to spread out so you can collect more bonuses, and there's incentive to act fast as the first player to build in each city has first dibs on the better-than-usual space.

One of those icons will be marked, and when players choose their starting city they will get the marked bonus (which will be the weaker version of whichever powered up bonus is in that town).

This seemed interesting, but I have since tried another version of the idea. Currently each city has a particular icon, and different spaces have a stronger version of it. For example, 3/2/1/1 Gold, 3/2/1/1 Favor, 3/2/1/1 different devotion track bumps... I made this change in hopes that (a) players may care more about which city they go to, and (b) there might be more of a race to build in cities because a 3 icon is much better than a 1 icon. I actually wonder if it should be 4/2/1/1, so that building first feels a lot stronger than building second.

* Virtual Zeus phase in cycle #1.
I was thinking that Zeus was kind of boring in the first cycle or two of the game, so in the last couple of games I have tried starting the game with a Zeus round before drawing any cards. This way Zeus would come up twice in cycle 1, but only once in cycle 2 (unless someone added a Zeus card). I've enjoyed this, but I don't know if it's necessary or not. Especially with the possibility of starting with extra Zeus track advances from your starting city this might not be important anymore.

Yeah, this was an interesting idea, but ultimately unnecessary. I got rid of it. I think more of the Initiative track advances make initiative fights interesting enough.

* Simplifying the board to a simple hex board.
I've always enjoyed the movement rules where you move on the vertices of the hexes rather than from hex to hex. But since I made the Quests and Cities reside inside hexes, that line has blurred. Some players get a little confused by the movement rules. It's possible the troops should just move from hex to hex and NOT reside on the hex nodes after all.

This dramatically reduces the size of the board, but if I similarly reduce the amount of troop movement you get from Ares then everything should still work similarly... so instead if 3/7/11/15 troop movement, you'll only get 1/3/5/8, and instead of costing 2 troop movement to bring a troop from your supply into play, it'll only cost 1. This simplifies Ares a bit, and the lower numbers might make movement turns easier and faster to execute.

This has turned out to be a fine change. One of those "kill your darlings" moments. I had initially imagined a grand, epic scale, and moving around the nodes makes the board much larger... but in effect this is the same thing, and it's much simpler to describe and perform the actions.

Some other issues that have arisen are mostly to do with game balance  and the values of certain things such as the favor of the deities (scoring for the cards in your display). I've iterated through several versions of those. The current version is as follows, which makes the deities basically worth 1-4vp. In a couple cases if you go extreme you can get a little more out of them, but if you do then you'll be sacrificing in other scoring areas, so that's probably OK:

Zeus: 2vp per other unique deity
  ...encouraging you to get multiple different deities. This might ought to be just "per unique deity"
Hermes: 1vp for each level of devotion (cube level)
  ...encouraging you to save up devotion to Hermes, because hoarding cash wasn't really working right.
Ares: 1vp for each devotion track with increased minimum
  ...encouraging you to not only get min bumps, but to spread them out. Indirectly this rewards questing, because that's where a lot of min bumps come from.
Hephaestus: 2vp for each city where you have 2+ building markers
  ...encouraging you to build, but without necessarily moving a lot.

Another main thing I did (haven't tried it yet) was to add a cost to increasing minimum devotion. Bumping up the minimums is strong -- and I want it to be. But a double bump is proving to be VERY strong, potentially too strong. I had a few ideas to combat this, and the simplest to try is adding a cost to it. Your 1st, 2nd, and 3rd min bump on any devotion track will cost you 1, 2, and 3 Favor tokens. This means you lose a few points for specializing in a deity and taking advantage of the power that entails, and furthermore it may not be trivial to GET the favor tokens, thus increasing the demand for things that provide them (some of the artifacts for example).

I added a Favor token to the Monuments, mostly to make them compare better to Building + Artifact, but as a happy accident it means if you build a monument, you'll have a favor token to spend on the min devotion bump.

This might be awkward, and lead to things like a player doing a quest and not getting the min bump reward because he doesn't have enough tokens, but maybe that's OK. And if this cost turns out to be too high, I could try 0/1/2 tokens instead.

Other potential schemes to combat this dynamic (in case the cost doesn't pan out):
* Only allow 1 min bump per track total (I don't like this because there are plenty of min bumps to go around, and I feel like everyone will just "specialize" in everything)
* Increase the length of the tracks (to 5, probably). this might mean also changing the cost for showing devotion to 0/1/3/6 for 1/2/3/4 bumps, which could be OK, but I might miss the tension of being broke and therefore having to resolve a deity prematurely because you managed gold poorly. Maybe that's OK though, you'd still have the "increase devotion or cash it in" decision, which is the meat of the game.

The other main thing I've been concerned about is duration. Currently the game feels fine when it lasts 4 or 5 cycles, but if it goes on to 6 cycles, I feel like it's dragging and overstaying its welcome. So I need some way to ensure it ends after 5 cycles, but arbitrarily doing so is lame. I'm going to try ending after 5 cycles at most, and the game could end early if the triggers occur, and I've got some ideas to spice that up a bit perhaps, which involve re-introducing Hera as a sort of game timer.

Related, I'd like to see control of cities play a bigger role in the midgame, which could come into play via this Hera scheme. I've got a few ideas of how to implement her rolling around, and I'll let you know which I decide sounds best, or which I end up trying out.

That's about it for now. Looking forward to trying the game again!

Quick AMA on Reddit! Yokohama Deluxe and other stuff...

I'll be on Reddit for an AMA between now and 11:00am MST.

Yokohama is blowing up on Kickstarter, but it ends tonight! If you've got questions about that game or anything else, come ask them on Reddit!

Old news... a comment on Reddit about Eminent Domain (and a little Under The Hood about EmDo)

  About a year ago Eminent Domain was featured on Reddit as "game of the week", and I answered a bunch of questions there.

  I don't spend a lot of time on Reddit, but I logged in just now to set up an AMA about Yokohama (TODAY, 7/15, at 10am Mountain time!) and I noticed a reply in one of those threads that I never saw.

  That thread has been archived, and I don't think I can reply anymore, but it was a good question and I feel bad for not responding. Also, the person asking the question (Alex Churchill) is a friend and fellow game designer, with whom I worked developing Steam Works for TMG. Alex reads this blog sometimes, so I wanted to take a moment and respond to his old comment.


  In reference to my saying that Colonize and Warfare are early game actions in Eminent Domain, and that the point of the game is to hustle into the mid-game, Alex replied:

How can Survey and Colonize/Warfare be the early game? Getting points from planets is more effective than getting points from Produce/Trade 90% of the time, so people are doing it right up until the final round. I'm guessing the "mid/late" game you refer to must be Produce/Trade? But by the time you've got more than 1 or 2 symbols, your deck is full of Colonize/Warfare/Survey cards, diluting the Produce/Trade, which makes it much more natural to continue to focus on points for planets rather than try to switch focus and lose out on the follows.

  Alex has a point, if you invest (and especially if you over-invest) in Colonize or Warfare int he early game, then it looks like changing to a Produce/Trade or Research path mid-game would be inefficient, and so there's a temptation to just continue flipping planets. Indeed, this could be your strategy, and if you do a good enough job with it you might pull out a win. I'll note however that "doing a good enough job" against good players will likely involve targeting specific technologies to support your strategy (things like Survey Team, Fertile Ground, War Path, Improved Warfare...), as well as good timing of plays and correctly reading and reacting to your opponents' roles (as well it should).

  Therein lies the rub. That point of view is kind of a "n00b" outlook, and even if it sounds counter-intuitive, you can do better by minimizing the number of times you call Colonize or Warfare, making good use of following your opponents, and setting up a research or trade engine as quickly as possible. Level 1 technologies help you do this, as they have 2 different role symbols on them, which helps combat the dilution effect Alex mentioned. Using research to keep your deck slim is also a potential strategy there.

  The thing to note is that once you get 3 or 4 resource slots in play, a Produce/Trade cycle is actually more efficient than a Survey/Colonize/Settle or Survey Warfare/Attack cycle. Once you get a trade engine going, the longer the game goes on the more you'll outpace planet flippers. Mix in a well timed Genetic Engineering, Specialization, or Diverse Markets, and you can really pick up those Influence tokens in a hurry, possibly curtailing the game before your opponents get a chance to make their big endgame play (researching a level 3 tech, or flipping that last planet).

  Eminent Domain is not just a Role Selection game with Deck Building in it, it's a Deck Management game as well. The whole point is to find a way to make your deck perform better :)

  I hope that answers Alex's question, and I hope some players still find this kind of thing useful. It warms my heart to think that people are still playing Eminent Domain!

Big life changes! New house, and games for sale.

I've got a lot of big life changes coming up, the most immediate of which is that I'm buying a house. It's a nice, big house with a dedicated game room, across town from my current house. I'm pretty excited about the new house, especially the game room, for which I went in on one of those Duchess gaming tables :)

I'll talk more about my big changes later, but in packing up to move to this new house, I decided to catalog my games and maybe sell some of them. I didn't do it in the most efficient or effective manner, but long story short, if you're local and want to buy some of my games, take a look at this list:

Seth's Giant List of Games, Some Of Which Are For Sale At Good Prices

I intended this to make moving easier, so I don't want to be making trips to the post office or finding boxes to ship things in, and I don't want to be selling things and waiting until some future time to actually hand them off. Ideally we can make the transactions at the RinCon fundraiser game day this weekend.

Email sedjtroll at gmail with "Games For Sale" in the subject line if you're interested in anything, are local, and can make the exchange with in the next week.

Deities & Demigods: It's been a while... I've made some tweaks but haven't tested them yet.

The last time I posted about Deities & Demigods I mentioned that Hades didn't make the cut... at least not for the base game. I intend to keep him round as an expansion module (maybe on of those so-called "in-spansions").

After that post I did excise Hades, and I've played a few games without him... and I'm happy to report that it works just fine. Great! Now the game is easier to teach and learn, and is still interesting to play.

I have created all the stuff needed to try out the Hades module, but I have yet to try it out. As I was updating my prototype I made some other changes that I've also yet to try out, but I think will be pretty good...

* Buildings and artifacts no longer have set collection scoring.
I kinda liked the idea of set collection scoring on buildings and artifacts, like the Exploration cards have in Goa for example. However, it may have been a little out of control (or not), and more importantly, it was annoying to have to count up so many things at the end of the game. The more interesting rewards were the ones that gave you gold, favor tokens, devotion bumps, or advances on the Zeus track. So I just replaced all the set collection icons with those, and added another: 2 Troop movement.

* Building costs vs incentive to spread out and build in different cities.
Originally, each player was allowed only 1 building per city, so if you wanted to build another building, you had to move to another city before you could do that. There was some bonus for being the first player to build in each city, to give you some incentive to race to build in the cities before anyone else did.

More recently I've tried instead allowing multiple builds in a single city, with the rule being that you pay 1 gold per building already in the city... so if you stay put and build, it'll cost you more and more. Then the incentive to spread out is cheaper building. That was OK, but I wasn't sure I liked it.

My new tweak is this... each city now has 6 spaces for buildings. 5 of them each have one of the standard icons, the ones you find on the building and artifact cards:
- Advance x2 on the Zeus track
- 2 Troop movement
- 1 Gold
- 1 Favor token
- 1 Devotion bump

The 6th space has a better version of one of those:
- 3 Zeus track
- 3 Troop movement
- 2 Gold
- 2 Favor token
- 2 Devotion bump

The idea is that the FIRST time you build a building in a city, you may choose any remaining space to build in and collect the bonus. Any further building you build in that city is placed on top of your first building marker, and earns you no additional bonus. I had intended to also keep the cost of 1 gold for each building already built, but maybe with this tweak that's unnecessary... instead of paying more, you're giving up opportunity cost of getting those bonuses.

There's incentive to spread out so you can collect more bonuses, and there's incentive to act fast as the first player to build in each city has first dibs on the better-than-usual space.

One of those icons will be marked, and when players choose their starting city they will get the marked bonus (which will be the weaker version of whichever powered up bonus is in that town).

* Virtual Zeus phase in cycle #1.
I was thinking that Zeus was kind of boring in the first cycle or two of the game, so in the last couple of games I have tried starting the game with a Zeus round before drawing any cards. This way Zeus would come up twice in cycle 1, but only once in cycle 2 (unless someone added a Zeus card). I've enjoyed this, but I don't know if it's necessary or not. Especially with the possibility of starting with extra Zeus track advances from your starting city this might not be important anymore.

* Simplifying the board to a simple hex board.
I've always enjoyed the movement rules where you move on the vertices of the hexes rather than from hex to hex. But since I made the Quests and Cities reside inside hexes, that line has blurred. Some players get a little confused by the movement rules. It's possible the troops should just move from hex to hex and NOT reside on the hex nodes after all.

This dramatically reduces the size of the board, but if I similarly reduce the amount of troop movement you get from Ares then everything should still work similarly... so instead if 3/7/11/15 troop movement, you'll only get 1/3/5/8, and instead of costing 2 troop movement to bring a troop from your supply into play, it'll only cost 1. This simplifies Ares a bit, and the lower numbers might make movement turns easier and faster to execute.

I hope to get a chance to try these changes, as well as perhaps adding the Hades module back in with experienced players!

Shameless promotion - a couple of non-TMG kickstarters (plus Yokohama Deluxe!)

I'm not big into promoting other people's kickstarters, and as such I don't ask people to promote the projects I'm involved in either.

But tonight I played a game that a couple of local guys have up for crowdfunding right now called Martial Art. The project is funded, so this isn't a plea to help them reach their goal. It's a pretty fun little game of double-think. A 54 card deck supports 2 players for $12, and apparently you can play with up to 4 if you have 2 copies. I didn't play with more than 2, and I suspect I'd prefer 2 players anyway. However I also suspect that with 2 decks you could play a variant where each player has their own deck, which could cut down on any luck of the draw (or perceived luck of the draw) if you like.

I usually don't love the "let's both play a card at the same time" type of games, but this one was kinda fun. If you like that sort of thing then maybe give this one a shot.

Speaking of kickstarter projects, another local guy who made 3D models of the genetic component pieces for the upcoming TMG game Chimera Station is running a project for some software to help design 3D models for things like D&D characters. The software is called Desktop Hero, and you can follow the link to see what that's all about. I don't know much about the project or the software, but Andrew was a really nice guy and did a great job on our Chimera Station pieces.

So if you are in the mood to do some shopping on Kickstarter (perhaps you're backing Yokohama Deluxe from TMG...), maybe give those projects a look and see if they interest you at all.

And for those interested in Yokohama Deluxe, I'm going to be involved in fixing up the graphic design for the English edition, which is something that's definitely needed - the game is great, but the graphics make it a lot less accessible than it could be. So if you trust me, then you can be sure the game will look awesome (and I've played a handful of times, the game really is a lot of fun!)

R.I.P. Hades?

For a while now there was some question as to whether Hades has been pulling his weight. It's been a bit of a struggle to keep him relevant. Initially I was OK with Hades being a sort of support deity, enabling players to pursue building, quests, and city control. However, as Matthew Dunstan pointed out, you could pursue scoring from each of the other deities, but not Hades:

Zeus: Collect deity cards for end game scoring.

Hermes: Collect gold to spend on favor when showing devotion to deities.

Ares: Score points for controlling cities (Matthew would like to see even more in the way of scoring for Ares)

Hephaestus: Score points for buildings (I am strongly considering ditching the set collection scoring and going with something simpler, but still worth points in some way)

Hades does not provide any path to victory, and as a result, there's often no reason to add him to the deck. As yet he's served only as a way to get more troops into play, and then recycle them after doing quests or building. For me that was working, but it's become more and more apparent that it's not ideal.

I've got a couple of friends who tend to think that in a game like this, with 5 deities, a player should just be able to pick one, concentrate on it, and be competitive with another player who picked a different deity. I've never subscribed to that personally - I believe it's fine for games to have early game actions and late game actions, and I don't think it's too much to ask of a player to consider the benefit of the choices they make, and whether they make sense at this point in the game. For example, buying a big building early in a game of Puerto Rico is not the best choice, though I'll concede that they did make those too expensive for players to build right away.

But in the case of Deities & Demigods it does make sense that there be reasons to add any of the deities to the deck, so I was interested in Matthews suggestion to add a scoring avenue to Hades. He suggested adding Trial spaces to the Underworld that you could spend Hades points to occupy with troops, gaining some kind of end game bonus at the cost of permanently losing those troops. That scoring could even be interactive, like majority scoring for devoting the most troops to the trials for example.

While that does sound interesting to me, I can't help but wonder if it's really necessary. Maybe it's just too much... the explanation of this game tends to take longer than it should (EmDo is similar), so anything to reduce that would be welcome. So if Hades isn't really necessary, then it maybe better to just excise him from the game altogether like I did Poseidon.

So next game I'll try that -- no Hades at all, and no Underworld per se. Your troops will either be on your player board or in play. 2 Ares points will bring a new troop into play, and of course 1 Ares point will move troops around the board as normal.


But to stay true to theme, rather than just leave Hades on the cutting room floor, I think he could become a sort of expansion module. It actually seems like adding Hades as a module would be fairly simple...

* Devotion track for each player
* Underworld board (with Trial spaces)
* Hades starting Olympus card and a stack of 6 Hades cards
* Hades monument, talisman, and shrine (maybe other artifact/building cards that deal with Hades)
* Potentially a couple more troops per player
* Rules indicating how Trial scoring and Hades points work

If playing Hades-less works out, then I'd like to give this expansion module a shot. If it works, then maybe I can find a way to add other deities (such as Poseidon) back in as modules too!

Side note on controlling cities:
I've been struggling with city control scoring, and how it's sort of all-or-nothing. I'm beginning to think that perhaps you should only count troops, not buildings, for control of cities. Furthermore, I think the scoring should be 1 per city you have troops in, and an additional 2 or 3 if you have the MOST troops in that city. That way you can pursue some scoring by running your troops around the board, and you can score better if you make sure to outdo your opponents. I've been thinking of adding a couple of troops per player for this reason as well, so you can reasonably fight for a couple of cities.

Deities & Demigods -- quick update

I just tweeted about Deities & Demigods with a link to this blog tag, so it seems prudent to post a quick update on the latest few plays of Deities & Demigods.

The Deities

In short, I deleted Hera, Poseidon, and boats altogether so there are only 5 deities now:

Zeus: 
No longer a turn order track per se... turn order is clockwise from a start player, and the leader on the Zeus track at the end of the cycle becomes the new start player and choose a deity to resolve and add to the deck.

There are now triggered benefits every couple of steps along the Zeus track (devotion bump, God card for scoring, a Favor token, and a minimum Devotion bump), and everyone resets at the end of each cycle.

Hermes:
No change here, Hermes continues to deliver gold which you use to show your devotion to the deities.

Ares:
With the removal of boats, Ares is the deity in charge of moving your units (just "troops" now) around the board. I upped the values at each level, and I've been liking the recent update tot he board: 4 board pieces at all player counts, and you move around the hex nodes, and into the hexes at cities and quest locations.

Hephaestus:
Buildings, artifacts, and monuments haven't changed (still using a separate deck for buildings and artifacts), but the level 1 reward has changed. Instead of 1 favor token (1vp), you now get 1 gold per building you have in play (minimum 1). Having removed Hera, it's nice to have some additional income opportunities, and I like the idea of building just a couple of buildings in the early game and then ignoring Hephaestus and just taking 3 gold whenever he comes up (juxtaposed with concentrating on Hephaestus and scoring off a lot of buildings and artifacts).

Hades:
I like the existence of Hades, who brings troops back from the underworld. After removing combat from the game it was questionable whether this would be relevant though. I think I've found a way to keep Hades relevant...

Currently you start with just 2 troops in play, 4 more in your personal supply, and 4 more in the Underworld. Hades moves troops from the Underworld to your personal supply, or from your supply to play. So you can use Hades from the outset to get more troops into play. Whenever you build a building, one of your troops goes back to your supply, so Hades will help you get them back into play. When completing a quest, one of your troops goes to the UNDERWORLD, so you can either consider them lost forever, or you can show some devotion to Hades to get them back into circulation. Considering that you only have a total of 10 troops to work with, this could be a big deal.

The Demigods

Since I've changed the game so dramatically, my sample player powers kind of fell apart. I tweaked a fe of them, but rather than worry about that too much I made some standard player boards (same for all players). In the end I'd like to have A-side and B-side player boards like you see in Kings of Air and Steam for example, with more interesting, unique B-sides

Herekles:
Obviously Herekles should have some benefit when doing quests, or some small incentive to pursue a Quest strategy. I've been using "whenever you complete a quest, increase devotion to any deity by 1" which seems like a good reward. I might offer a few extra points for having done quests, but that might be too heavy handed.

Perseus:
Perseus had the ability to put units directly into play during Hades, but now that's the standard so I need to figure out something better for him. Perhaps allowing Hades to add troops to play wherever you have a troop (as opposed to wherever you have a building) for example. I'm not sure that would be good enough, but it might be interesting. I could also give a small benefit such as a gold whenever you take control of a city, or whenever another player takes control of a city away from you, to make city control more of a thing during play.

Nike:
Nike used to have a benefit on the turn order track. After the changes I think his ability has to change to something like "when resolving Zeus, move 1 extra space on the Zeus track". I'm not sure if that's good or bad though. In any case, I'd like Nike's ability to have something to do with the Zeus track.

Jason: 
As captain of the Argos, Jason's original ability had to do with Poseidon and boat movement. Of course after removing that whole section of the game, this ability will have to change! Currently the board is just an array of spaces, I have been ignoring any kind of terrain (such as water). However in the end I would like the board to have some more texture, and I would like to see water being a thing. Probably I will just say something like "water costs extra to move over", and then Jason's ability will counteract or lessen that movement penalty. Until that's added though, I think there just isn't an ability for this player board.

I'm open to suggestions as to other demigods to use, and types of abilities they might have!

The next thing I will try is to expand the starting Olympus deck to 2 of each deity, rather than just 1.

London, Paris, Deities, Demigods, Stained Glass, and Rock & Roll

LONDON

I just returned from a 12 day trip to Europe. An old online friend, Sebastian Bleasdale, got married in London, and he was kind enough to send me an invite. I suspect he didn't think I would come, but I called his bluff! I had a really good time at his wedding, and though I didn't get too much time to catch up with the busy groom, I was able to get some quality time in with a number of UK designers that I rarely see such as Matthew Dunstan, Tony Boydell, Brett Gilbert, Ian Vincent, and even caught a glimpse of big names such as Reiner Knizia and Richard Breese!

A gathering with so many designers would be nothing without a little playtesting and prototypes. I was able to play upcoming TMG title Pioneer Days (something like an Oregon Trail themed board game) with one of the designers (Matthew Dunstan), as well as test a drafting game by Tony Boydell, play an excellent mancala-rondel game by Sebastian and Ian based on my Crusaders rondel mechanism, see an interesting deck building (ish) game by Matthew, and even get my latest Deities & Demigods to the table.

DEITIES & DEMIGODS

I had some good discussion about Deities & Demigods with Matthew, who has expressed interest in co-designing that one with me, and I decided on some BIG changes -- some of which have been hanging around waiting to be tried, and some new ideas that came u in those conversations. The big changes include cutting out Hera, Poseidon, and boats altogether, and attaching the the manipulation of the Olympus deck to the initiative track itself. The original initiative track was intended to be for turn order, and there was supposed to be incentive to care about turn order. We decided that it may be easier to just have clockwise turn order from a start player, and we could reassign start player at the end of each cycle based on the initiative track. The new version has a few rewards that you get as you advance up the initiative track, and then the markers reset for the next cycle. Without Poseidon, there are simply troops that navigate the board. When we get the game working better we can add texture by saying things like "moving over water costs extra" or something. These changes worked out pretty well, as you'll see if you read on...

PARIS

After the wedding, I headed to Paris where I saw a number of touristy things including Notre Dame, the exterior of the Louvre, Ferris Wheel, Arc de Triumph, Eiffel Tower, and even Euro Disney. I enjoyed each (well, the Eiffel Tower was disappointing), even Disneyland was more fun than I expected. But I enjoyed Notre Dame most of all. In fact, looking at the stained glass windows, I came up with a new game idea... and in the following days I have pieced together a new game design, ready to be prototyped and tested! The game is a simple set collection game about building attractive stained glass windows. Watch for a future blog post about that one.

ETOURVY

When I found out that Bruno Faidutti was having a gathering during the time I'd be in France, I was excited at the prospect of attending. Bruno was kind enough to invite me, so I took a quick trip by train and got to see people like Ignacy Trzewiczek, Bruno Faidutti, Bruno Cathala, as well as other French gamers and industry folk. At the event I got a chance to play Crusaders with some folks, as well as Deities & Demigods with all the new changes. The players were great sports as I stumbled through the playtest with brand new rules, and they said they enjoyed the game a lot. The changes worked out alright, but were a little wonky, so when I got home I made a few adjustments, and managed to get two 2-player tests in on Tuesday which went very well.

ROCK & ROLL

In Etourvy I also played a pirate themed press-your-luck dice game which someone thought TMG might be interested in, and then I pulled out my press-your-luck dice game, Rock & Roll. The latest version of Rock & Roll (with changes based on Game Design Attack #4) has players rolling dice to play songs and satisfy the crowd. I had been allowing players to lock in more than 1 die at a time where possible, but there was something unsatisfying about that... after this test comments implied that a better format might be to allow players to lock in only 1 die at a time. So every time you roll the dice, you first lock all Gaffes, then you must be able to lock the next die in the song or else you bust. Even if you have more matching dice, you can only lock 1 into the song, then you must either stop and score, or roll again.

This new format makes a lot more sense, and if the songs are designed such that they start fairly flexibly then they'll naturally get harder and harder as dice get locked. Players may press their lock going for more crowd tokens, completion bonuses, and making it harder for opponents to "outperform" the song. Or they can play it safe and stop early, risking that another player outperform their song and take the card away from them.

I suspect this is the correct format for the game. All that remains now is to tweak the cards to fit the new format, redesign the songs, and see if it's really any fun :)

What a difference a month makes... Deities & Demigods playtest, new version

A whole month ago at Game Design Attack #4 I had a test play of Deities & Demigods. I posted some notes after that play and updated my prototype, but never got the game back to the table... until tonight.

I've been very busy with Chimera Station, which will be on Kickstarter later this year, so I haven't been playing much in the way of other prototypes, but tonight I finally got back to D&D. For starters, I can officially say that lesson #1 is this: Don't let a month go by between playtests!

I rushed home from work to get my table cleaned up and get the game set up. I remember basically how the game is played, and I had a vague idea of the changes I'd made... but as it's been a whole month since I've even thought about the game, when my players showed up I found myself floundering and reading through my marked up rules to see what we were going to be doing. It might have been even worse because these players had played an older version of this game, so they sort of remembered how to play -- but half of what they remembered is out of date!

So the start was a little shaky, and I felt dumb not to be more prepared... but once we got going things worked alright... for the most part. I did have to audible a card that I'd forgotten to update, and a rule or two that didn't jive with the new changes. But at the very least we were able to successfully finish the game.

In my last post I outlined changes I'd made to the prototype, I'll go through those here and comment on how they went in play:

* Use only 4 boards (at all player counts).
I did use 4 boards, and it worked pretty well. I had a note that maybe 3 boards would be enough for a 2p game, but I guess I'll burn that bridge when I come to it.

* Put 2 cities and 1 quest on each city board (2 quests and 1 city on the back).
 This worked pretty well in conjunction with the previous point. This makes for 4-8 each of cities and quests. I made a note that as a rule during setup, make sure there are at least 5 of each... I think 4 would be too few.

* Rather than interacting with cities and quests from adjacent nodes, have players travel into cities or onto quest locations.
This was a little shaky because the board wasn't really designed with this in mind, but I think it worked. The players had some trouble with it, but I suspect most of their concerns could be alleviated with better graphics/presentation/explanation.

I think I'd intended for only troops to enter cities and only boats to enter the seabound quest locations, but in  practice that seemed weird (and our board setup had an isolated lake with a quest that no boat could get to), so I ruled that troops could get to the quests even in water hexes. And I'd drawn little rivers into the cities from the hex sides that were adjacent to water, so I rules that boats could enter cities, but only from where waterways were shown. After the game I drew similar land areas leading to the Quests on water hexes, but I wonder f that's going to screw things up.

* At the suggestion that a victory point for level 1 Hephaestus might be too much, I might try changing that to 1 gold (or, 1 gold per city controlled to help incentivize controlling cities in the early and mid game).
I tried "1 gold per city controlled", and maybe that happened once. I definitely would prefer "per city where you have a building" (or similar "per building you have built")... but I'm not really sure that's better than 1 VP. The designer that made the suggestion was very adamant that it need to change. He was comparing it to the level 1 abilities of the other deities, none of which score you points. But I'm not sure that's a fair comparison... I think the proper comparison would be Level 1 Hephaestus compared with higher level Hephaestus. But I will continue to try the "gold per city" thing, including the Home City which I will be instituting for the next game.
 
* I'm contemplating changing Hera's income to "1 gold + 1 gold per city controlled" to help incentivize controlling cities in the early and mid game.
I didn't try this, but did try it for Hephaestus level 1 (see above). I didn't like tying it to "control" of a city, might be better "per building".

I still might try upping the Hera income to "1 gold per building" as well (or instead), but that doesn't make much thematic sense, and I'm not sure if it should be both here and on Hephaestus level 1.

* I've had combat in the game from the outset because I figured it went with the theme, and I'd hoped it wouldn't be much different than area majority such as El Grande. However, I'm not a player who really likes direct confrontation in games, and I think this is not the type of game that would really go along with that kind of interaction. So I will try removing combat altogether, or at least make it expensive and rare like I did in Escalation.
I dropped the combat altogether and to be honest, nobody missed it. It had never really come up before anyway (maybe because the board was too big before).

Instead the rule is that you may pass through but not end movement on a node containing opposing units. Any number of units can co-exist in a city, and in fact control of a city is based on number of units there.

I had to change a couple of cards that dealt with combat. I changed them so they had to do with gaining or losing control of a city.

* I'm considering removing the deck of building cards, and instead allowing building tokens to count toward control of a city... it would be easy and intuitive to count control that way, just count up all of your wooden pieces in the hex. I'm not sure if I like that idea or not though, and I suppose if I didn't want buildings to count toward control, they could be punchboard tokens rather than wooden discs in the final game. It would reduce components and clutter to just cut the building deck though.
I liked the idea of cutting the building deck, but I'd want to reconfigure the bonus icons... to approximate this I just said A=D, B=E, and C=F... that part was fine, but changing the buildings like this was a big mistake.

You lose a unit to build (which I like, as it keeps Hades relevant), so making the building count toward control doesn't actually gain you anything. So without getting a building card, there's really not much incentive to build buildings over artifacts! In fact, I'm wondering if there ever really was such incentive... I think the Building Cards might be a little more powerful than the artifacts in some cases, but only in some cases, and only maybe (there ARE a number of building cards with end game bonus scoring opportunities).

If I'm going to remove the building cards, then buildings would have to be a whole lot better than they are now. But I think I want the building cards back. In addition to bringing them back, I might try counting the buildings as 2 units toward control, so they help you control a city AND they give you a powr and potentially set collection scoring. That will make them better than Artifacts for sure.

To parallel quests, maybe there should be a reward for the first player to build in a city... but what? I don't think a devotion or minimum devotion bump would make any sense. Maybe some gold? Maybe you get to place a 2nd building marker (counts as extra influence toward controlling the city)? Maybe you place the building token upside down, indicating that it's worth 3 influence instead of 2?

* If I cut the building deck, I'd have to adjust the scoring icons... instead of 4 each of 6 icons, I'd probably do 3 each of 4 icons. I could also consolidate the 12 best card effects I currently have between artifacts and buildings.
I didn't do this (see above). I would do it if I do end up ditching the building deck, but currently I think I'd like to keep it.

I suppose I could combine them into 1 deck, where a building gets you both the building marker and a card, and the artifact only gets you a card, but that might be tougher to swallow thematically.

* I keep going back and forth on the turn order track and what happens if you gain initiative and land on another player's marker. Currently you always go on the bottom of the stack, no matter which direction you were moving your counter. I might change that to top of stack if advancing and bottom of stack when losing initiative and see how that goes. I think I was trying to be consistent, and I liked always going to the bottom of the stack vs always going to the top, but maybe that consistency isn't necessary.
I did try it with top-of-stack if advancing and bottom-of-stack if descending, and I think I did like it better that way.

* I don't know if this will be necessary, but if I decide I need a fail-safe way to hard cap the game at 6 cycles, I could try this... take all the Hera cards out of the deck, and instead have a supply of 6 Hera cards. At the end of each cycle, add a Hera to the deck. When that stack of 6 runs out, that's the last cycle (6 total). The game end may trigger before that, but it would keep the max length to 6 cycles. This would make Hera come up less often in the first 2 cycles, and more often in cycles 4-6, which might actually be good to facilitate more opportunities to earn the favor of the god cards.
This is still a viable idea, but I don't know if I like it. I might try it some time. I'll note that I only really need 5 Hera cards for that, not 6... add 1 at the end of each cycle, and when there isn't one to add (after the 6th cycle), the game is over.

* With a smaller board it's possible that 4 cycles would no longer be too few, so I could even change the above idea to 5 Hera cards instead of 6 (for a maximum of 5 cycles).
Not sure about this (see above), but as I mentioned, this would only require 4 Hera cards, not 5.

Now that I have the game more fresh in my mind, and I've given those things a try, I am well armed to take the game with me to London tomorrow (er, today... in about 12 hours) and hopefully play it with some people while I'm there.

2, 3, 4, 5... That's the way we subitize!

 I learned a word a few years ago from a friend of mine -- a word that I don't use nearly enough. Not that it's a common word that would come up in conversation very often, it's actually a fairly obscure word that a lot of people probably haven't heard. But there's at least 1 context in which I think I will start to use it more often.

 And the word is (drum roll please)...

 The context in which I intend to use the word subitize more is iconography. I'm currently working on a game for TMG called Chimera Station, by League of Gamemakers member Mark Major. In Chimera Station, you employ a team of alien workers to build a space station, and in order to make your workers better at various jobs you splice brains, claws, leaves, and tentacles onto them. As you build the station you'll be adding numerous modules to the board, each one representing a new worker placement space:

 I've been working with graphic designer Daniel Solis, trying to express a lot of information onto these small tiles, with a little room for background art where possible. If you've played a game that has tiles like these then you probably know what I mean... there's a lot to convey, and a few different ways to try it:

• Some games try to go language independent, replacing all English text with icons. This can lead to an overwhelming amount of hieroglyphics if the effects to be iconized are too complicated or varied.
• Some games forego icons altogether and just use English text to convey all the information. The problem here is that text takes up a lot of space, especially if it's specific and thorough. Trying to abbreviate text to take up less space can be harder to read than the over-iconizing mentioned above!
• Some games use a combination of text and in-line icons, which is what we decided to do for Chimera Station. On the down side it's not language independent... but on the up side, it offers the best chance at fitting the necessary info best and most clearly.

 It's that third option I'd like to talk about today. The first pass of the modules with in-line icons (see left images below) did manage to reduce the text, making the tiles more readable. However, the text is small, the space is compact, and most players will not even be reading it face up... so I asked Daniel to show multiple icons rather than a number followed by an icon ([coin][coin] rather than 2[coin]):

The parenthetical clarification was removed from the tile - it will be included in the rulebook. The right image shows a sample background, not the right one for this module.

 The new format looked great on tiles that only had 2 or three icons on them, but it introduced a different problem on modules with more icons on them. For example, Cryogenics allows you to trade a genetic component in for 6 coins...

Six coin icons is probably easier to read upside down from across the table. The cost (top) and VP value (bottom) on this tile got adjusted, but that's not relevant to this discussion.

 While I do think the version with 6 icons looks better than the original version, it's difficult to tell at a glance exactly how many coins you get. Which brings me to the whole point of this article... subitizing.

 The definition above indicates that humans are limited to being able to subitize about 7 items, but a more common or practical limit is more like 4 or 5 items. If you see fewer than 5 items, you can immediately know how many items there are without having to count them one by one. That's called Perceptional Subitizing.

 It could be that the 6 coin icons are too many for players to comfortably subitize, but I wasn't happy with the idea of going back to the original text version either. So I tried a simple tweak: I added a gap in the middle of the row of coin icons, separating the 6 items into two sets of 3 icons.

 Three items are easy enough for anyone to subitize, so breaking the coin icons up in to two sets will allow players to fairly easily combine 3+3 and identify 6 icons. This is called Conceptual Subitizing:

It's much easier to identify "6 coins" in the right image than the left one, isn't it? The tile also looks a lot better with the correct background :)

 There are only a couple of tiles in Chimera Station that have more than 5 icons on them, and for those I'm hopeful this format will work out.

 So, what do you think?

Were you familiar with "subitization", the concept if not the term?

In general, can we can count on people's ability to subitize in order to help create useful iconography in these games we play?

How have you used this concept in your games, even if you didn't know what it was called?