R.I.P. Matthew Frederick, one of the great unpublished game designers

Some time ago -- almost 2 decades now -- I stumbled across a website called the Board Game Designers Forum. At the time I had recently graduated college and gotten a job, many of my friends had moved away, and I was looking for something to fill my time. It was a perfect storm that led to my eventual career in game design, development, and publishing, and it all started on that fateful forum.

In the early days of BGDF, I read a lot of posts, I wrote a lot of posts, and I spent a lot of time in the IRC chat room with some of the forum regulars. Several of those regulars have gone on to see great success in the game industry as designers, artists, or publishers (or all three)!

One of those regulars, an admin in fact, went by the handle FastLearner. His name was Matthew Frederick. Matthew was ever-present, always insightful, and always made sure the forums were going strong. He's the one that created this BGDF logo:

A logo I placed on the back of the box for both Terra Prime and Eminent Domain, as a nod to the role the forums played in the design of those games.

One of my favorite aspects of the site was something called the Game Design Showdown, which turned into a monthly design challenge where, given a week and a theme, component restriction, or other guidelines, you could submit an entry. Entries were posted anonymously, and then voted on. There was no prize, and the submissions were not intended to be finished, tested games anyway, but the challenge was a good way to exercise the design muscles, and I know of several ideas from the GDS that went on to become fully fleshed out (and in some cases published) games. I say that's what the GDS turned into, but it started as a sort of real time challenge in the chat room, run by FastLearner, where instead of a week to come up with a game idea, you had just minutes! We only did that a couple of times, but it was great fun, and it opened the door to the larger Game Design Showdown, which still runs today if I'm not mistaken.

As it happens, Matthew lived in Phoenix, AZ -- just up the street from my hometown of Tucson. A couple of times I drove up and got together with Matthew... we talked about our game designs, even played each other's games. Matthew was one of the players who I wrangled into may first two playtests of UK designer David Brain's prototype: All For One, and we did a prototype swap (I left 8/7 Central with him, and brought home his mountain climbing themed game: Everest). I recall several of Matthew's games that I played, and they were all very good:

Everest was a middle-weight euro-style game about drafting a team of climbers (with sponsorship from various countries), and climbing Mount Everest. There were different terrain types to navigate, and your climbers were better at some than others. You could set up camps along the way where you could rest your team. There were rewards for reaching certain elevations first, including a large reward for reaching the top of the mountain. It was a real, honest to goodness game, on par with a lot of the stuff I've played off store shelves.

Velociracers was a card driven game where you, a Velociraptor, raced around an island grabbing up eggs and trying to keep ahead of the T-rex that was hot on your heels. Each turn you would play one of your cards, and you wouldn't get them back until you did a special "rest" action. There were mechanisms in place to keep the dinos bunched in a pack -- a headwind to keep the front runners from getting too far ahead, and cards that let you advance more the farther back in the pack you were. Fall too far behind and the T-rex will hurt you, much like taking damage in Snow Tails. Like all of Matthew's games, this felt fully fleshed out, even if he wasn't happy with it.

Elvencraft was another excellent design, where you would move around an Elven village in the trees, connected by bridges (which I think you would build, if I remember correctly), collecting items and crafting them into better items. I don't remember all the details of this one, but I do recall it feeling like a real game as well.

Cow Tipping was a small, Rummy-style card game that a nascent TMG considered publishing. It had adorable art and a cute theme of gangs of cows taking revenge on people by tipping over vehicles stopped in traffic. Motorcycles required a smaller gang (set or run) of cows to tip, but are worth fewer points. Buses were the most valuable, but of course required the largest gangs to tip. I recently re-read my email threads with Matthew about this game.

As a neophyte developer, I was perhaps overzealous about wanting to change Cow Tipping a lot. In the end, TMG did not publish that game, but Matthew gave me some important feedback that I still need to take to heart at times- he said something to the effect of "with all those changes, what exactly are you licencing from me?" That is a significant question for a few reasons. Not only was it a wake up call to me as I stepped into the game industry as a professional developer, but it also stands in stark contrast to some of the sentiments I've seen in modern designers who might submit an unfinished game with the expectation that the publisher will finish it for them. In contrast, all of Matthew's games were fully fleshed out, thoroughly tested, and more complete than many submissions I've received over the years.

About a decade ago, I lost touch with Matthew. I wasn't hanging out in the BGDF forums anymore, and I didn't travel to Phoenix very often. I didn't have much occasion to reach out to him, and from what I could gather, he had a very busy life, sometimes plagued with additional hardships outside his own control. I did follow Matthew on Twitter, and occasionally saw some snippet of his life scroll through my timeline, and every time it made me wonder "what ever happened to that guy?"

Back in October, just a few months ago, Matthew sent me a Twitter DM, seemingly out of the blue. It was a very complimentary message, just saying that he was pleased and impressed to hear how well I'm respected in the industry. Apparently Matthew had followed my career, or was at least aware of it. He followed that with another message:

Perhaps one day we’ll get together again and reminisce about the old days and talk about what’s happened in the intervening years.

Two months later, I was sad to hear that Matthew was gone. I had gathered from tweets I'd seen that Matthew was sick -- fighting some kind of cancer. I know now that his message to me was something of a "goodbye," and I'm sorry I didn't drop everything right then and there and drive up to Phoenix to see him one last time, maybe play a game, or do that reminiscing he mentioned.

Matthew, I'd like to thank you for being the man that you were. The pillar of the game design community which brought me from a casual Magic player to a professional game designer. You are far and away the best designer I know, and the gaming world is poorer now that you're gone.

You will be missed.

BGDF's Game Design Showdown

The Board Game Designers Forum has been an invaluable resource for me over the last 7 years. When founder Michael Dougherty decided he couldn't continue to host the site, he asked if I would take over, and now I'm sort of like the president of this game design club. Because BGDF has been so useful for me, I try to maintain it and promote it as a useful resource for others getting into the hobby.

One of the features of BGDF is a monthly game design challenge known as the Game Design Showdown. The challenge involves a theme restriction and/or some mechanical restrictions under which you create a game. You do not need to build a prototype and test the game, just write up a set of rules (800 words or less) and submit it to the moderator of the challenge. After the 1 week submission period is over, the entries are posted anonymously, and a week long voting period begins. Finally, a winner is declared, and then a Critique thread opens up for people to discuss each of the entries.

It's a really fun activity to get the creative juices flowing, and sadly I haven't actually entered any of the recent Showdowns, but there have been a fair amount of entries (and decent ones at that) each month.

This month's showdown is entitled "Yea, Verily!" and the theme restriction is Robin Hood. Check out the showdown, submit an entry, and participate in this month's challenge!

Living in the past?

I actually haven't been living in the past for once - but in some respects I wish I were. In particular, I'd really like to revive and "finish" an old game design... well, I'd love to revive and finish several old game designs, but right this minute I'm thinking of one game in particular...

I've always been interested in game design, I just didn't always know it. The first game I really worked on with any kind of success was an idea by a friend of mine about competing television networks. The idea was sort of like Magic, where your TV shows are the creatures, facing off against each other each day (for a very loose description). Mohan had this idea for some time, and he told me about it one random Thursday when he was in town for the summer. At the time he didn't really have any plans on how the game would work, just an idea of the general scheme of the game. All weekend I could think of nothing else, and on Monday he was at my house again, I described in great detail how I thought the game could work. I'd dreamed up an entire game's worth of mechanics based largely on what he'd described to me the other day, and my experience with Magic.

The game was called 8/7 central, and Mohan and I worked on it all summer. It changed tremendously from one iteration to the next, and by the end of the summer we had a prototype of a game that certainly worked - though I think we both thought it could be better. Mohan went back to school, but I kept working on the game and corresponding with him about it. I posted about it on the Board Game Designers Forum - it was one of the first games in the Game Design Workshop over there.

After some time though, things sort of stopped. That was all several years ago now, and once or twice I stumbled across old cards and brought the design back to life, but those times were short lived, and he game has been relegated to the back burner ever since.

When I visited Mohan in Seattle last month, we mentioned the possibility of reviving 8/7 Central and thinking about "finishing" it and maybe trying to get it published. Since Jackson Pope at Reiver is looking for a card game or something cheap to produce, I got to thinking about 8/7 Central again... I suppose now is as good a time as any to revive the game. So I sent Jack a short description of the game, and if he thinks it's interesting then I'll be hitting up Mohan to think about the game again.

I just re-read the rules and remembered a significant change I thought of the last time I'd looked at it*. I remember being unhappy with certain rules**, but I'm sure with a little thought and some testing those can be ironed out in no time.

So watch for some posts about this, my first ever "real" game design prospect that I seem to have avoided posting about thus far...

* There is a deck of cards in the game that is 50% Ads and 50% Events/Modifiers. This can lead to getting a draw of too few or too many ads. The brilliant idea to fix that is to allow ANY card to be an Ad - just play it upside down. Then the deck doesn't have to have any regular ads in it - maybe just a few special or better ones.

** In particular the rules for moving programs, as well as perhaps the auction for programs, though I kind of like that, as it's a somewhat unusual auction mechanism.

New prototypes to try out!

Ever since KublaCon I've been trying to get together a copy of JC Lawrence's 'Ohana Proa together to play with people around here. I've finally gotten "almost done" with that, and in addition I've got 2 friends in Chicago who say they're going to send me prototypes of their games to play.

Scott Slomiany has finished a prototype of Dark Water Salvage, his deduction game about searching for shipwrecks:

Each player is a salvage team, racing to discover and salvage the most valuable shipwrecks. Shipwrecks are initially hidden "on the board" and through logical deduction methods and triangulation of revealed information, players can determine the location of the wrecks. Additionally, players must carefully balance the need of overspending on the loans they take out from the local Naval Historical Society; it doesn't matter if you've found the most prestigious Shipwrecks if you can't pay back your loans.

And Dwight Sullivan has resurfaced at BGDF, now with a prototype of Noblemen which has been in the works for about 3 years. he asked if I'd read through the rules, and offered to send me his copy to play.

Scott's always got some clever gimmick or gizmo, and I like the sound of the way information is hidden in Dark Water Salvage. I read the rules to Noblemen, and it sounds like a totally solid eurogame, the kind I generally like. I look forward to trying them both out - and to finally finishing my copy of 'Ohana Proa!

And of course I'm looking to play the latest version of Terra Prime as well, and Homesteaders with the latest building changes. So much to do, and at the same time there's Stone Age, Brass, and Merchants of Amsterdam to play! Never mind that I'd like to try Wealth of Nations or any of the new stuff coming out... and eventually my copy of Agricola will arrive.

I'm swamped!

Game Design Central

There's a neat online publication I hadn't seen before called Game Design Central, and every month they ask 10 questions of established inventors or game companies and post the answers. I was reading this months answers, and I really liked a couple of things Mike Selinker said:

Q - If you were to give beginning inventors one bit of advice, what would it be?
A - Stop working alone. Find people who are as smart as you, or preferably even smarter, and harness their creative energy along with your own.

I feel the same way, and as I'm sure I've mentioned before, I think I'm a better developer than a designer, or that any design I do that will be successful will likely be a collaboration with another designer. There are many advantages to working with another designer, and few disadvantages.

Q - What is your process for getting toys & games seen?
A - Lone Shark Games, Inc. is a design studio where I and my colleagues have existing accounts with many game companies, and they're happy when we have something new to show them.

This response made me feel a little jealous. A design studio where a couple guys - as their job - sit around and design and develop game ideas, with enough clout to call up a publisher and say "Hey, we have something new" and have the publisher say "well send it over!" That's the way I sort of see my friends in the Board Game Designers Forum chat room - only sans clout.

KublaCon 2008

I went to KublaCon again this year. I had a really good time hanging out with Chris Hillary, Andrew Schoonmaker, Rick Holzgrafe, Derk and Aldie from BGG, Doug Garrett, JC Lawrence, and others. I also played a lot of games, some of which were very good, very interesting, or both!

Reading Railroad didn't do so hot in the design contest, but I expected that. I was a little disappointed in just how poorly it went over though, talking to the playtesters. One commented "I know what you're trying to do, you're trying to hit 2 markets." For some reason that comment hits me like an insult... I hate marketing, and I am not trying to weasel some shenanigans by trying to appeal to 2 types of gamers, trying to trick both groups into buying my game, which is the connotation I get out of that comment. Rather I am trying to make a fun, cool game - and in this case I think Reading Railroad could have "cross-market appeal." I expect some word game players would like it, and some eurogame players would like it. Sure, in either market by itself it might not be a smash hit, but that's not the point of the game. I did glean some good information which I hope to use to improve the game, some of which ties into things I already wanted to try. I think the game is good enough to continue to work on.

Rick Holzgrafe's entry Spatial Delivery did win the contest, and boy did it! Asmodee asked for a copy to review - they might want to publish it! Congrats to Rick on that! I remember when Rick first conceived that game for one of the Board Game Designers Forum Game Design Showdowns.

As for general gaming, I'm looking into a game purchase. There are some problems with this idea - some of the stuff I want isn't in stock at the moment. Also, I'm not sure I want to buy some of the games for one reason or other - I may have a blog post about that soon. I've been playing Container a lot, and I've grown to really like it.

Design-wise I've got some changes to make to Reading Railroad, and I've got some new ideas for that Airline game I'd mentioned. besides that, just more of the same. No movement on Winds of Fate, Dynasty, or Hot and Fresh :(

Dynasty revisited, also Hot and Fresh prototyping

As per my New Years Resolutions, I've been putting some thought into both Hot & Fresh and Dynasty. Ariel has been experimenting with the color wheel idea for Hot & Fresh, and says he's got something that will work, and that it's not even that tough. That's good, because even though I've known in my mind for 2 years how it would work, I have yet to produce a working prototype! I now have a deadline... create a map for him to make a board out of in time for him to produce a prototype for me before he goes to New York City this summer (so he can mail it to me from there instead of from Uruguay).

I've also been discussing some of the finer details of Dynasty with Dylan and Nando in the BGDF chatroom. I think I'm feeling more comfortable with some parts of it. Hopefully I can talk them into brainstorming tech advances ("Discoveries") with me so I can get a prototype of that working as well.

In particular, here are some of my recent thoughts on Dynasty:

• When Settling a village, perhaps a player shouldn't get points at all. I'm a little worried that all players will spend the 1st 6 turns each game just settling. That would be lame - and if it's true I guess I could simply make the setup phase include taking turns settling villages - but I think I'd rather that be part of the game. I'd like people to think about doing things other than Settle, even if they haven't gotten their 6 resources. Maybe if there weren't points involved in settling a village, then that would promote other actions sooner as you might not need further resources to get the Discoveries you want. I'm already thinking of rewarding players who get to a discovery first (see below).
  
  
• Thus far I've liked the idea of having to settle adjacent to a region where you already have a village, to keep people from just plopping villages wherever they like the resources, and to encourage trading. Dylan (dnjkirk from BGDF) thought it would be better to be able to settle anywhere, perhaps with an additional cost for not being adjacent. I just had an idea though which combines his thoughts with something that could help my previous point... players could start with a pawn on the board, and could only be allowed to Settle where the pawn is located. Thus it would take a few turns to traverse the board. This mechanic already exists in the game, but until now it's been after villages start turning into cities. No reason not to start with the Political pawn in play from the beginning though! I think this idea will add validity to Discoveries such as a cart which allows your political leader to move 2 spaces.
  
  
• I had originally figured that each culture would handle discoveries separately, irrespective of what other players discover. However it makes more sense to say that when anyone discovers, say, paper, that anyone else could build on the knowledge and discover paper money. Thus perhaps whenever anyone discovers something, everyone gets to use the benefit, and noone else can discover that thing. This way there's competition for the discoveries for points, but getting the points opens up abilities to all players.
  
  
• I have never been happy with the mechanic for conquering a city or village. Currently, you can just conquer a village with your military leader as an action. Conquering a city requires that you have more cities than the defender. It's too easy to do that, and I think the first person to get a city would likely be able to conquer everybody, and that's no fun. I would like there to be a viable strategy that involves being militaristic, but I would like taking over villages and cities to be relatively unexciting outside of that. Maybe you conquer a city so you can gain access to its resources without having to trade with that opponent every time you want to use it, but aside from that you probably don't conquer much unless you're using a military strategy and have bought the advances which make it easy enough to do so. I think I have come up with a Conquer system that better represents that. Instead of 1 Military leader total, players could get a military leader (or a political leader) each time a City is developed, and each military leader could have some 'strength' (say 2). There would be discoveries such as Gunpowder which would add 1 Strength to each military leader. In order to conquer a village or City, a player would have to get enough" strength worth of leaders in the area... where "enough" depends on how many Villages and Cities (and maybe Military Leaders) the defender has. Perhaps each village has strength 1, each city strength 2, and each military leader in the area has strength 1 for defense (or strength 2 to match their offensive strength). This has the advantage of adding opportunity cost to "going on a war path" - you have to spend actions moving your leaders around the board. It also lends validity to discoveries such as "Hot Air Balloon" (move 1 leader 2 spaces) or some other discovery which allows you to move more than 1 leader at a time.

So I guess with respect to my New Years Resolutions... I'm working on it!